{"version":"1.0","provider_name":"La Vanguardia","provider_url":"https:\/\/lavanguardiadigital.com.ar","author_name":"Luis Alberto Pescara","author_url":"https:\/\/lavanguardiadigital.com.ar\/index.php\/author\/luis-alberto-pescara\/","title":"Una est\u00e9tica del asesinato - La Vanguardia","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NWVdKpqXyp\"><a href=\"https:\/\/lavanguardiadigital.com.ar\/index.php\/2018\/10\/11\/una-estetica-del-asesinato\/\">Una est\u00e9tica del asesinato<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/lavanguardiadigital.com.ar\/index.php\/2018\/10\/11\/una-estetica-del-asesinato\/embed\/#?secret=NWVdKpqXyp\" width=\"600\" height=\"338\" title=\"\u00abUna est\u00e9tica del asesinato\u00bb \u2014 La Vanguardia\" data-secret=\"NWVdKpqXyp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/lavanguardiadigital.com.ar\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/lavanguardiadigital.com.ar\/wp-content\/uploads\/2018\/09\/BANNER_ANGEL_redes.jpg","thumbnail_width":900,"thumbnail_height":1320,"description":"\u00abEl \u00e1ngel\u00bb, la pel\u00edcula de Luis Ortega que retrata la historia de Carlos Robledo Puch, se ha convertido en uno de los sucesos cinematogr\u00e1ficos nacionales del a\u00f1o. Las historias de criminales, el g\u00e9nero de no-ficci\u00f3n y la estetizaci\u00f3n de la violencia enmarcan este film y, junto a \u00e9l, un segmento importante de los consumos culturales [&hellip;]"}